••• The standard stack representation of Cymblights.

The areas are represented in a diagram as having an order because it’s hard to show them in their true relationship. However, as incorrect as this depiction is, it’s also totally accurate and shows the areas just as they as but not in any particular relation to the human body. Can be both unimode and multimode. Presentation shadows present. Vocal is null.

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an overVIEW of 7 AREAS

In what we call “Standard Stack” The areas (as cymblights) exist in rough equal phases and presentations. Even if the presentations vary, the phase TOTAL is the same. The areas are not stacked or even in any particular order but they do exist in sequence.

The sequence creates motive which is MANIFEST. The MANIFEST final and the only clearest reckoning of USF/FOSTER tech.

The null vocals apply because in any practical sense they have no latch point. So, one could apply any value of vocal to the arrangement (if that was important to you)


sometimes circles are used

This is represented in cymblight diagram by a plain uniform “stack” of areas. A more accurate diagram can have the areas depicted in lobes confined within an un-finite contained place, usually represented as a circle or sometimes a volleyball. The root area is Dia and the crest/crown is Con. Bear in mind that this is entirely wrong.


••• Inhibited Mode

Acted upon by force of USF, areas can be diminished intentionally or observed in diminished configurations. So, a (SUBJECT) might have a Toru active and other areas (Except for Unknown, which is not known) in a neutral condition. Very specific experiences are directed: mostly un-invasive EM or EM-adjascent events (basically eavesdropping, when you get down to it). This is a phase of conservancy possibly – very low stress. Unimode. Presentation shadows present. Vocal mode can be null or active.
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this seems basic enough!!!!!

The purpose of inhibited mode is to activate a fairly full USF or RED with none of the extended, in-vasive or ex-vasive characteristics. Some have referred to this a DEMO MODE or even SAFE MODE, to use some popular parlance from the home PC-computer (persona Calculating computers) crowd. It’s worth mentioning also that this can happen without the use of Santo-Monkeys – although they certainly make it easier – and without vocal modes, which cal also make it easier. This is possible because at any moment, Santos only have 3 active areas. The others remain dormant until another active area is diminished.

Inhibited mode is also the preferred way to test equipment, Santo-readiness and any people partici-pants.

The arrangement is unordered, of course because a unitary Area is active and the others are in a nullified condition but they still cast presentation shadows so we know they they are actually present but genuinely null.


This mode is diagrammed with cymblights as a line of AREAS coming from an infinite distance and receding to an infinite distance. Another illustration is just a vast field of the active area. Honestly, just a depiction of a single area would be sufficient to understanding.


••• Extended Mode

NOT TO BE CONFUSED WITH “EM” contact or anything related to “EM”

each EVENT is a balance of con-ditions

Acted upon by force of USF, areas can be diminished intentionally or observed in extended configurations. All areas are in high states. It is during high states that full (DEPRIVATION) is inevitable but also the most risky in health matters. There is stress, disintegration and dismemberment involved. Early FOSTER runs proved this with some unpositive outcomes. The Unknown area is always present and is multimode with additional areas (with a limit to 14 dectectable) in any presentation with regular presentation shadows . Vocal is always active and at least One Santo is required.
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Extended mode can also be thought of as Standard Mode. All areas full so that any basic DEPRIVATION can be exercised. However, all areas exert equally so the experience is generally uniform throughout except for variances brought about by any multimode areas, such as Dia in it’s own variances such as enhanced, Uni-Form, StellaForm and Mono-Form. All areas show their shadows exactly in line with their caster’s form. That’s how we know for sure the areas are not in some kind of “ghost” condition which has been found to be the case in High Edit and High Extended. We simply don’t know how this is possible unless the apparent discrepancy is a shortcoming in our understanding or a shortcoming in our ability to measure the effect. If we are ever able to re-unite all of the parts from a working RED, we might have better answers.

Don’t let the term “standard mode” make you think that there is anything standard about the condition. The participant must have the vocal mode training and be able to withstand it. A Santo of decent breeding and condition is mandatory. One USF transmitter was used but the more the merrier.


The planogramic sketch for Extended MODE is probably the last of the escalating modes that can be diatized in a meaningful way. Even so, the complexity can get pretty bananas pretty quick.

But as long as we attempt to show that nature and relation of Areas in Extended Mode rather than the entire framework, then we can reduce the observable complexity to something that can be understood and explained in the parameters allowed by something as reductive as a plat TV screen or a page of paper.

The mode, like all modes, has no order or progression but can only be understood as an order with the root area being the focus of the event through the application of USF, the tendency of the Santo, etc. In other words, the “root” is whatever area that is the area (as expressed in Cymblights) of the most highly-expressed intention. This area bridges to each other area with the “next area” bridging to the next 6 followed by ties to the next 4, then ties and then two bridges. This is not what’s happening but it explains whats happening.


••• High Edit Mode

Acted upon by force of USF, areas can be diminished intentionally or observed in HIGH configurations. In these arrangements (there are and unlimited number) And number of areas and variant AREAS are manifest. This can include a state of, say, five Toru, three Dia (each in unique presentations with MULTIPLE presentation shadows) and all other area representations in total NULL, excluding UNKNOWN. This happens in unimode. We don’t know what these mean.

The important thing here is to note that the ultimate trajectory of the configuration is characterized by the presentation shadows rather than the areas themselves. This, in a way, means that the created & dectected areas are somehow false.

At least two USF transmitters are used in this mode. Santos or Santo-heads, Vocal mode is active and augmented.
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One of the most concerning aspects of High Edit is the confounding appearance of non-conforming presence shadows.

The earliest of (DEPRIVATION) work starting with the Phase Plate dectector let (Foster) exclusively determine the “shape” of Areas and nothing subsequent has given us any reason to be-live that those investigative techniques are in error. But when a known Toru presents a Sphe shadow, there is no effective way to know why this is happening and what it means. We absolutely have no way of predicting this, either which is a real kick in the balls. Perhaps the Area is presenting falsely for some reason – disguising itself. This could be it but it is disquieting in many ways, chiefly that the areas have some kind of awareness and have some reason to pretend or deceive.

All of that aside, with the features of unlimited areas in any combination the (DEPRIVATION) can be “fine-tuned” to virtually any (STATE): a star, a foot on some far-away desert, unknown elements, ballet rhythms, taste, a streak, etc. This is why High Edit is sacred – it puts the “Saint” in Santo, if you know what we mean.


the PHASE plate mentioned

With TWO USF waves acting in concert with active/augmented vocal modes and a Super-bred Santo (the whole creature or just the head) you’d better be-live that graphing such an arrangement is going to be a challenge. Well, the best way we can do this is by breaking the concept into several sections.

In one section we have basic areas (cymblights) in lobes
In the next are basic variant areas also in lobes
Next, is the grouped active (cymblight) areas contained in reciprocal lobes
And finally presentation shadows.

The grouped lobes act reciprocally upon each other in equal exchange.


••• Low Edit Mode

Acted upon by force of USF, areas can be diminished intentionally or observed in singular configurations. This is thought to be a phase where all areas but one (in any presentation) are completely missing including UNKNOWN. A (SUBJECT) is, in effect only a loose particle made of of one turn, one presentation (with one shadow), and in Unimode. Vocal mode can be null or active.
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Low edit is used for calibrating. Full EM contacts have been made in Low Edit. Full disintegrations, too. Because if the very narrow mode this can be very useful in diagnosing any RED, cables and cabinets especially. Unwell or sub-standard Santos can be revealed in Low Edit.

Represented by two cymblight areas in feedback or one area in radiant.


••• High extended

Like extended but with an immeasurable quantity , capacity, shadows, modes and “size” of area. Considered “theoretical” by FOSTER but a subsequent review of surviving materials indicate it was way fucking more than that. Foster hid this on purpose, no doubt. High extended is probably as close as we can get to CONTROLCONTROLCONTROLCONTROL understanding what the ultimate Union was. We hope his RED logs were not intentionally destroyed so we can maybe get closer to unraveling what is the Overriding Vacancy of FOSTER tEch.

Vocal mode is always in SuperActive/SuperAugmented. Vocal is a the most expanded known range.
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We know not much.

This was (FOSTER)’s goal, no doubt because (HE) kept almost all of the information hidden from all, including his assistants.

The High Santos were created expressly for this mode as well as a wide array of exotic transmitters, cabinets, infinities, etc. High Santos are more than human and definitely able to share complex forms of conditions.

The High Extended mode was probably intended to force a genuine unity, a phase of unbound totality so perfect that it would be completely not apparent that it had been effected in any way


Think of this as concentric/radiant lobes of areas in balanced multi-orbits, binding in cymblights.


••• Low Null Extended

A way to show LOW NULL…

No attachment to any nodes or phases. No areas (no Unknown) and no presentation shadows, even. No known USF transmissions can change this. The end of the universe is visible. Vocal is irrelevant. Only presentations are evident which means that the areas are in some kind of “darkness”.

Now, that sounds intriguing, doesn’t it? You might think there should be way more to Low Null Extended than pre-testing other phased arrangements. And you’d probably be right, so you’ve got thatCONTROL going for you.
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This is the “diganostic” for High Edit and High Extended. Total unified phase but no effulgence of USF.


Only presentation shadows chained to area cymblights.